The Bewitched Testimony: The Story of Isobel Gowdie, Scotland’s Most Mysterious Witch
- Scarly

- Jul 28
- 4 min read
In the shadowy hills of 17th-century Scotland, a woman named Isobel Gowdie etched her name into witchcraft history, not through her actions, but through her . Her detailed, poetic, and otherworldly confessions during a series of interrogations in 1662 have become one of the most captivating records of witch folklore ever documented. Unlike the many women persecuted during Europe’s brutal witch trials, Gowdie’s tale stands apart for its richness, mysticism, and the eerie beauty of her own voice echoing across time.

Who Was Isobel Gowdie?
Isobel Gowdie was a peasant woman living near the town of Auldearn, in the Highlands of Scotland, during a time of great superstition and religious fear. Scotland in the 17th century was gripped by the paranoia of witchcraft, fueled by the Presbyterian Kirk and King James VI’s obsession with rooting out perceived devilry. In this climate, women, especially those on the fringes of society, were easy scapegoats.
But Gowdie’s story wasn’t a typical witch trial. There’s no record of her being tortured. She seemed to confess freely, some say ecstatically. Over four separate confessions, she poured out a vivid narrative of her life as a witch, her connection to the Queen of Elphame (Fairy Queen), and her transformation into animals. It is this fantastical and lyrical testimony that continues to mesmerize historians, folklorists, and magical practitioners to this day.
The Confessions: Between Reality and Fairyland
Gowdie's confessions are unlike any others from the era. She described in exquisite detail her initiation into witchcraft, claiming that the Devil himself marked her on the shoulder and gave her a new name. She told of secret coven meetings, thirteen in total, where witches danced, feasted, and performed rites.
One of the most enchanting aspects of her testimony was her vivid descriptions of fairyland. She spoke of traveling to the court of the Queen of Elphame beneath the hills, where she received lavish food and learned magical arts. She gave the names of other witches and even their familiars, some of which bore fantastical names like "Roarie-Bum" and "Pickle-Neep."
She also gave spells, charms, and transformation incantations, including a famous shapeshifting chant used to become a hare:
“I shall go into a hare, With sorrow and sigh and mickle care, And I shall go in the Devil’s name, Ay while I come home again.”
What’s especially strange is that Gowdie never contradicted herself across the confessions, suggesting either an elaborate internal world or a memory of long-standing traditions that may have predated the Christian overlay.

Was It Real, Fantasy, or Allegory?
One of the enduring mysteries surrounding Isobel Gowdie is whether her confession was fantasy, delusion, or an encoded form of folk belief and surviving Pagan practices. There is no evidence that she harmed anyone. There were no trials for the other witches she named, and no execution record for herself, her ultimate fate is unknown.
Some scholars suggest that Gowdie may have suffered from ergot poisoning (a hallucinogenic mold found on rye) or a psychological condition that caused vivid visions. Others argue that she was recounting genuine folk beliefs and rituals, woven together with the Christian Devil imagery that authorities expected to hear.
Her references to fairyland, for instance, may reflect remnants of Celtic shamanic traditions. The Queen of Elphame resembles older deities like the Irish Morrigan or the Scottish Nicnevin. These weren’t evil beings in local lore, but guardians of the otherworld who guided spirits and ruled the liminal spaces of nature and death.
Isobel in Magic and Modern Witchcraft
Today, Isobel Gowdie is honored in magical and neo-Pagan circles not as a victim alone, but as a visionary. Her chants and poetic spellcraft are still used and adapted by modern witches, particularly those who walk the hedge or practice faery witchcraft.
Her invocation to become a hare, for instance, is seen as a symbolic journey, stepping between worlds, donning an animal guise, and embracing the liminality that witches often represent. For those who seek to connect with ancestral witchcraft, Gowdie’s testimony provides a rare glimpse into a pre-industrial, enchanted worldview where spirits, fairies, and magic were ever-present.
She has also inspired operas, songs, novels, and rituals, reclaiming her voice not just as a warning from history, but as a beacon of resilience and mystery.
A Legacy Carved in Spell and Shadow
What makes Isobel Gowdie’s story so compelling is that it defies easy categorization. She wasn’t just a victim, a madwoman, or a storyteller. She was all of these things, and perhaps more. Whether she was consciously performing or channeling deep-rooted lore, she left behind a spiritual map, rich with myth and metaphor, pointing toward a world where the veil between realms was always thin.
In honoring Isobel Gowdie, one doesn’t need to believe every word she said was literal. Instead, we can understand her as a symbol of spiritual rebellion, of the survival of indigenous belief, and of the creative power of the human spirit when faced with oppression.
She reminds us that magic is not always found in wands and cauldrons, but in the stories whispered through generations, in the sacredness of the natural world, and in the courage of those who spoke the language of witches even when it meant their lives.
Ritual Idea: Honoring Isobel Gowdie
If you'd like to connect with the spirit of Isobel Gowdie or draw on her energy in your own practice, consider this simple ritual:
Items Needed:
A small stone (to represent Scotland or grounding)
A white candle
A sprig of heather or lavender
A bowl of water
A slip of paper
Ritual Steps:
Light the candle and place the stone in front of it.
Speak the hare transformation charm aloud slowly, letting its rhythm carry you into a meditative state.
Drop the sprig of heather into the water and say: “Isobel of Elphame, speak through wind and flame. Through shadow and story, I call your name.”
Write a wish or question on the paper and place it beneath the stone. Let the candle burn down in a safe space.
Give thanks and pour the water out onto the earth.
Final Thought
Isobel Gowdie’s tale is one of the most haunting legacies of European witchcraft, not just for its suffering, but for its strange and shining beauty. She is a folkloric priestess of the in-between, a storyteller of the seen and unseen. In remembering her, we don’t just remember a victim, we remember a witch who danced with fairies, spoke in riddles, and whose voice, against all odds, was never silenced.



Comments